Playfullness in architecture
| dc.contributor.author | Shinde, Suvidha | |
| dc.contributor.author | Shaikh, Adnan (21AR20) | |
| dc.date.accessioned | 2026-08-21T10:08:00Z | |
| dc.date.available | 2026-08-21T10:08:00Z | |
| dc.date.issued | 2026-06 | |
| dc.description.abstract | In architecture, "playfulness" refers to more than just fanciful shapes or too vibrant colours. It is a design concept that discusses how a static structure might transform into a dynamic, involved aspect of human existence. This idea is essentially based on the deliberate manipulation of architectural elements, such as form, function, materials, details, light, and shadow, in order to provide the user with a dynamic and engaging experience. The aim of playfulness is to make a building a destination in and of itself, rather than just a container for a software, and is not limited to any one user group (children, for example). For historical and cultural institutions like the fictitious Maharashtra Cultural Centre, this design concept is very important. The public's impression of these institutions as being uninteresting or dry makes it difficult for them to draw in large crowds. Through the implementation of playful design ideas, a cultural centre can go beyond its conventional purpose. The main draw is the building itself, which is meant to be experienced and investigated. This is accomplished through architectural techniques that stimulate the senses by combining a purposeful play of light, shadow, texture, and sound to create a multisensory experience; stimulate interaction by creating spaces that invite active engagement; and stimulate curiosity by employing distinctive geometries and spatial arrangements to promote exploration. | |
| dc.identifier.uri | http://aiktc.ndl.gov.in/handle/123456789/4604 | |
| dc.language.iso | en_US | |
| dc.publisher | AIKTC | |
| dc.title | Playfullness in architecture | |
| dc.type | Project Report |